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Pamela Card Fragmented Triumph Necklace


Oftentimes in Ancient Rome, coins and medallions were used to spread word of victorious achievements. As an ode to these relics of valour, this hand crafted double layered lariat from Pamela Card's Last Relics Collection is strung with two lightly fractured Roman coins - one engraved with Victory and one with the Civic Crown. Sumptuously glossy and weighty, the Fragmented Triumph Necklace is a bold piece designed to embolden the wearer and offering them an air of courage in their everyday travels.

Handmade in Card's Vancouver studio from 24K Gold Vermeil (which is 3 microns thick of 24K gold plated sterling silver).


Size & Fit: 

Top coin measures 1.6cm in diameter.
Bottom coin measures 2.1cm in diameter.
Necklace measures 18” in length.
Chain extension to bottom coin measures 5cm in drop length.

Her Story

Pamela Card travels the world to collect inspiration for her evolving, namesake jewelry collection. Paris was where her love of ancient jewelry began; however, it was while living in Turkey and travelling throughout Rome and Portugal that her love of jewelry as an art form came to actualization. Pamela was completely enthralled by the depth of history preserved within each village, encased in each museum, and displayed at each palace.

Galerie des Glaces, Château de Versailles, France | Summer 2013

A collection of jewelry that combines components of historic beauty with modern day sentiments.


With a deep appreciation of art and history, her designs embody the style of jewelry at a time period that bridges between Roman, Byzantine, and Ottoman art. The collections focus on mixing elements of all the above periods to combine components of historic beauty with modern day sentiments. Blending tradition and timeless style, Pamela Card's designs consist of solid gold, and gold plated jewelry.

Jewelry designed without the sole focus of perfected symmetry.


Using the historic techniques of lost wax casting and hand forging, all pieces are designed and produced locally in Pamela's studio in Vancouver, B.C.

By using ancient practises like lost-wax casting and hand forging, Pamela is able to design with a completely hands-on approach to her work. As the collections do not focus solely on the perfected symmetry of jewelry, Pamela uses more exploratory techniques to play and experiment and concentrates on coming up with more artistic and sculptural designs.

The collections oppose mass production and instead promote the beauty of ancient craft and focus on it’s longevity.


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